"brand-new yet iconic"   - Gramophone (UK)

LOOP 2.4.3

about us

Loop 2.4.3 is an "open format", collaborative ensemble, led by composer/performer Thomas Kozumplik. The group has a bent for exploring the vast musical possibilities of percussion instruments, inspired by an artistic coming-of-age in room 243...

Record Label (Vinyl, CD's, Scores, Booking): MusicStartsFromSilence.com

Downloads/Streaming: 
musicstartsfromsilence.bandcamp.com

iTunes: chamber music-Rock profile

iTunes: solo/chamber-Electronic profile

Featured Video: David Derickson (Fist Fight Films), MK Ultra from the album Time-Machine_music:



Loop 2.4.3 is a fiscally sponsored project of Brooklyn Arts Council. 

Performances, new music, and community outreach are funded primarily through individual donors. Tax-deductible donations can be made online at:
https://secure.givelively.org/donate/brooklyn-arts-council/loop-2-4-3

Please find more information at our "get-involved" tab.

NEWS


September - October - Guest Artist at Artfarm

Kozumplik is Guest Artist at Purdue University - SEP 22

Live-Stream Performances - Get TICKETS - AUG 22-23; SEP 11-13; OCT 17-18

August 28-29, Open Air Media Festival, Iowa City, IA. Music from our album American Dreamland provides the soundtrack for a multi-media performance by Dan Fine and Dana Keeton.

August - Album Release with Tom Burnett and Elliott Levin on MSFS Records

July 9 - Concert and Q & A for Bridges Academy's "Summer Jam Online Music Experience"

MovEvolution’s Extended, Unedited, Explicit Interview with Loop 2.4.3

Online Classes - Individual and Group Sessions - Performers/Composers - All Levels Inquiries/Sign-up

Watch a live clip from recent Loop 2.4.3 soundcheck in Philadelphia on Instagram.

New Release Child of the Earth featured on New Sounds with John Schaefer. Link to the archived show on newsounds.org

"It is rare that an epic composition like Child of the Earth emerges from the percussion ensemble repertoire..." - Jonathan Haas

"When considering the intrinsic merits of both the work and its thoroughgoing idiomatic performance by Haas and the New York University Percussion Ensemble there is no doubt that we have a landmark percussion ensemble development, as much a pleasure to hear as it no doubt is to perform. Very recommended for percussion and Modern New Music Postmodern enthusiasts." - Classical-Modern Music Review, Grego Applegate Edwards

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